Spectral Visions Press send out a content call for creative writers to be a part of their new anthology, PANDEMIC.
Read MoreRebecca Penfold’s short story takes us into the world of some mischievous Brownies.
Read MoreIn this quiet, delicate and evocative memoir series written for the Creative Non-Fiction module, 3rd year Creative Writing student Jess Henshall, traces her journey through recovery back to the place that waited for her. This is the fourth and final installment.
Read MoreIn this quiet, delicate and evocative memoir series written for the Creative Non-Fiction module, 3rd year Creative Writing student Jess Henshall, traces her journey through recovery back to the place that waited for her. This is the third installment.
Read MoreAnnabelle Simons (she/her/they) is a young adult fiction writer, specialising in LGBTQA+ fantasy. Since graduating from Falmouth University in 2016 with a MA in Professional Writing, she has been working on her debut novel. This year she landed her first literary agent. I spoke to Annabelle, and she cast some light on the stepping stones that occur between writing a book and seeing it come to life in print.
Read MoreIn this quiet, delicate and evocative memoir series written for the Creative Non-Fiction module, 3rd year Creative Writing student Jess Henshall, traces her journey through recovery back to the place that waited for her. This is the second installment.
Read MoreIn this new book review as part of his 2020 International Booker Prize summer series, 3rd year English and Creative Writing student Jasper Evans, shares his thoughts on Daniel Kehlmann’s Tyll.
Read MoreIn this quiet, delicate and evocative memoir series written for the Creative Non-Fiction module, 3rd year Creative Writing student Jess Henshall, traces her journey through recovery back to the place that waited for her. This is the first installment.
Read MoreIn this four-part series, written as a portfolio for the Creative Non-Fiction module, 2nd year English and Creative Writing student Georgia Pine explores the dynamics of love in long distance relationships. Part III is the 4th and final installment.
Read MoreIn this new interview, done as part of her work for the Creative Non-Fiction module, 3rd year Creative Writing student Jess Henshall interviews local artist Emily Tapp.
Read MoreIn this letter, our Staff Editor for the past two years, Dr Sherezade Garcia Rangel, reminisces about all the team has accomplished during this time and opens the path for a new vision for FalWriting.
Read MoreIn this new book review as part of his 2020 International Booker Prize summer series, 3rd year English and Creative Writing student Jasper Evans, shares his thoughts on Gabriela Cabezón Cámara’s The Adventures of China Iron.
Read MoreWe catch up with amazing alumni Adriana Ciontea and Kevin Woodley to learn more about what they’ve been up to in their time after Falmouth and to hear all about their new magazine, Seaborne.
Read MoreThird year English and Creative Writing student Jasper Evans, responds to Nicki Peter’s poem in the last installment of the Lost Ticket poetry collaboration and series.
Read MoreIn this new post, we interview our new Course Leader in English and Creative Writing, Dr. Marshall Moore.
Read MoreIn this observant, poignant piece travel writing, memoir piece written for the Creative Non-Fiction module, 3rd year English student Emory Whaley, traces her journey through a life lived amidst travel.
Read MoreIn this four-part series, written as a portfolio for the Creative Non-Fiction module, 2nd year English and Creative Writing student Georgia Pine explores the dynamics of love in long distance relationships. Part II is the 3rd installment.
Read MoreIn this new book review as part of his 2020 International Booker Prize summer series, 3rd year English and Creative Writing student Jasper Evans, shares his thoughts on Fernanda Melchor’s unforgettable Hurricane Season.
Read MoreIn this piece written as a response to the Creative Non-Fiction module, 3rd year Journalism and Creative Writing student Caitlin Stimpson, revisits a childhood experience at the Dawlish Chinese New Year celebration.
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