Can our relationship with fiction help us make sense of a post-truth society?
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Jane Moss on how writing can be a way to think, a way to let go, a way out of the dark
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Work by Falmouth students from last year’s Writing as a Reader module has been published in the online journal Galatea Resurrects.
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On the transformative power of the written word.
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Our students share their experience of writing workshops with Alice Oswald, considered to be one of the UK's greatest living poets.
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Holly explores the writer's relationship with one of her most intimate possessions.
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Next year sees two new publications from Meredith Miller, lecturer and Course Coordinator for the MA in Professional Writing.
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Dom Smyth reviews Falmouth Lecturer Luke Thompson's biography of Jack Clemo
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Hannah Cartwright reviews the latest novel from former Falmouth Lecturer Rupert Wallis
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MA student Sarah Eddy interviews James Daunt, managing director of Waterstones, on competing with eBooks and Amazon
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Melissa considers Virginia Woolf's time in Cornwall and the ways in which the landscape inspired her writing
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In this startlingly gentle sequence, graduate Kieran McGuigan’s soft delivery and experiments with sound and structure will leave you wondering what just happened, and if it can please happen again.
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To conclude the summer selections, here are three poems from Jonathan Parsonage’s stunning collection.
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In the last essay of the showcase, Jessica Hawes investigates the manipulation of reader within Atonement, exploring a tension between innocence and knowingness.
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Emma Baker explores self and authorship in her reflection on Peter Carey’s Novel.
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In slick and frank prose Lorraine Sharpe takes on the 'massive supermarket’ of life.
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The second collaborative sequence from Daniel Y. Harris and Falmouth Lecturer Rupert M. Loydell is now available for purchase
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Chloe Godin examines National Identity within Peter Carey’s novel.
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Born in Bucharest, Romania, Adriana is studying Creative Writing at Falmouth University. Her poems are about people and the fragility of human condition.
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Joshua Williams explores the evolution of interaction within storyworlds in the adventure game genre between 1976 and 2016 in these two extracts from his dissertation.
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