Feeling reflective this New Year? Some tips from a psychotherapist on how to put it to work
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Senior Lecturer Kym Martindale shares her experiences of student life in the late 1970s
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It's time to choose a university. Should you go big or small? Here's a story from a student who's done both.
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Is streaming TV responsible for young adults reading less?
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Sophie McDaid reviews the latest novel from former Falmouth Writer in Residence Matt Haig
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“A queer business –- queer in every sense of that multi-valent word.”
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When faced with the complexities of the universe and alien life, rather than having an existential crisis or becoming enlightened, Arthur asks 'Is there any tea on this spaceship?'
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Katie Smith interviews Mandy Vere Co-Manager of News from Nowhere
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Patrick Gale's BBC project charts the very different challenges to happiness for gay men during World War II and in the present day.
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A seemingly innocent group of twelve-year-olds turn into savage hunters, like their primitive ancestors, seeing each other as prey when the order collapses, and making a quiet island into a place of bloody murder.
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Mark Jervis, a fiction writer, explores the practical value of the literary award from the writer's point of view.
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Ruth Heholt, Senior Lecturer in English, reveals her experiences as a student
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Brandon Evans reviews this immersive, sometimes-claustrophobic story In Dark Places, commissioned for our project with the National Trust.
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Our students share their experience of writing workshops with Alice Oswald, considered to be one of the UK's greatest living poets.
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Where tips for writing better fiction are concerned, the world really is our oyster.
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Falmouth Writing Graduate Aaron Kent is one of the finalists in the Aesthetica Creative Writing Award
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MA graduate Stuart Wakefield interviews Roz Morris and Victoria Mixon, two leading Independent Editors
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Hannah won an award for her research examining how writers can use and adapt dramatic techniques to deliver narrative affect and player agency in video games.
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Winter is unpredictable and unavoidable, terrifying and beautiful – so how does it impact the stories we hear and tell?
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Jodie considers an age-old question: should you wait to see the film until after you've read the book?
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